We are proud that, for more than a decade, millions like you have trusted our award-winning recommendations by people who deeply understand what makes certain places and communities so special. Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.Ĭulture Trip launched in 2011 with a simple yet passionate mission: to inspire people to go beyond their boundaries and experience what makes a place, its people and its culture special and meaningful - and this is still in our DNA today. Since 2003, Neshat has continued to examine the central themes of religion, violence, madness and gender in various works, from her photographic series Zarin (2005), to her feature film Women Without Men (2009, Silver Lion at 66th Venice Film Festival). She moved from overtly political commentary to the presentation of more poetic imagery and narratives with her video installations. Neshat’s first artworks were photographic, and explored notions of femininity in relation to Islamic fundamentalism and militancy. Having moved to the United States in 1974 to pursue higher education in the arts, Neshat did not create her own art until 1993 when she first returned home. As a displaced Iranian living in the United States, Neshat’s exploration of socio-political narratives in her native country derives from the vantage point of an immigrant who was unable to return to Iran for 20 years. 1957, Qazvin) explores issues ranging from memory and identity to the definition of gender roles in Iranian society.
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